King Tubby Meets Rockers Uptown
Augustus Pablo & King Tubby
Root: King Tubby's dub of Jacob Miller's Baby I Love You So, drums and bass pulled apart with echo; the dub space dubstep inherited
A snare on beat three at 140 BPM leaves room for the sub-bass; it grew out of UK garage and grime in south London.
Augustus Pablo & King Tubby
Root: King Tubby's dub of Jacob Miller's Baby I Love You So, drums and bass pulled apart with echo; the dub space dubstep inherited
Groove Chronicles
Root: El-B's dark, skippy 2-step with heavy sub; the deeper garage strand that early dubstep producers grew out of
Horsepower Productions
Tempa 12" of stripped, dubbed-out garage: sparse broken drums over deep sub; Horsepower are credited with dubstep's birth
Loefah
DMZ's second release: a kick and a heavy snare on beat three with wide space around them; the minimal half-step template
Skream
Skippy, syncopated drums under a looping melodic riff; credited as dubstep's most recognisable crossover hit
Burial
Crackling 2-step-derived drums placed by hand without a sequencer; gave dubstep a loose, off-grid rhythmic feel
Mala (Digital Mystikz)
Half-time roller: sparse kick, snare on the three and tribal-style drum samples; a cornerstone of the DMZ sound
Kode9 & The Spaceape
Sparse, martial half-time percussion and sub-bass under Spaceape's spoken voice; from the Hyperdub founder's debut album
Pinch
Hand-drum percussion circling a half-time snare under qawwali-style vocal; an early landmark of the Bristol scene
Burial
Shuffled 2-step clicks and vinyl hiss under pitched vocal fragments; key track of the Mercury-nominated Untrue
Coki
Half-time beat driven by a mid-range wobble bass; the DMZ sound that brostep later pushed louder
Benga & Coki
Half-time kick and snare locked to a rolling percussion loop and bass riff; Gilles Peterson's record of 2007
TC
Caspa rebuilt TC's drum and bass tune as half-time wobble dubstep; a big-room crossover of 2008
Rusko
Bouncy half-time beat and cartoonish wobble bass from a producer credited as a brostep pioneer
Joker
Bristol 'purple' sound: swung, hip-hop-leaning half-time drums under bright synth leads
Flux Pavilion
Big-room half-time drop with a hard snare on three; later sampled by Kanye West and Jay-Z on Who Gon Stop Me
Skrillex
Half-time drops with abrasive mid-range bass and rapid edits; Dazed credited the EP with launching brostep
Excision & Space Laces
North American heavy dubstep: a blunt half-time kick-snare frame built around metal-style riffs and bass hits
Hamdi
New-gen UK 140: a skanking half-time groove with dancehall bounce, widely remixed (VIP, Kayzo, P Money vocal)
Press play to loop each record's busiest two bars. Patterns are machine-detected from the recordings, not verified transcriptions.
DubstepHorsepower Productions, Ben Garner
DubstepSkepta, Plastician
DubstepLoefah
DubstepSubtext Recordings
DubstepKode 9, The Spaceape
DubstepSkream
DubstepPinch
DubstepShackleton
DubstepCoki
DubstepRusko
DubstepMala
DubstepDistance
DubstepLa Roux
DubstepMagnetic Man
DubstepFlux Pavilion
DubstepHamdi
DubstepExcision & Space Laces
DubstepSKRILLEX
DubstepDoctor P
DubstepHyperdub
DubstepTC
DubstepBenga
DubstepBenga
DubstepHyperdub
1393 recordings.