Mambo No. 5
Pérez Prado
Big-band mambo: punchy brass stabs over Cuban percussion; recorded in 1949 and released the next year
Caribbean, African and Latin rhythms built on the offbeat, the clave and the dembow, from one-drop reggae to amapiano's log drums.
Pérez Prado
Big-band mambo: punchy brass stabs over Cuban percussion; recorded in 1949 and released the next year
Tito Puente
Cha-cha-chá driven by Puente's timbales and a looping piano montuno; the original that Santana later rocked up
The Skatalites
Skatalites ska with Lloyd Knibb on drums: the fast shuffle and off-beat accents that every later Jamaican groove slowed down
Alton Ellis
The song that named rocksteady: ska cut to a slower, heavier pulse that gives the bass and the off-beat room to breathe
Bob Marley & The Wailers
Catch a Fire re-recording; Carlton Barrett's laid-back one-drop feel took the Wailers' groove to an international audience
Celia Cruz & Johnny Pacheco
Salsa standard from Celia & Johnny (National Recording Registry); clave-driven congas and timbales behind Celia
Augustus Pablo & King Tubby
Dub touchstone: King Tubby strips Carlton Barrett's drums and the bass to the bone, using echo and drop-outs as rhythm
Fela Kuti & Africa 70
Tony Allen's Afrobeat drumming: interlocking hi-hat, kick and snare driving a long, militant groove
Black Uhuru
Sly & Robbie's Taxi sound: Sly Dunbar's crisp, militant rockers drumming pushed roots toward the tighter 80s style
Sister Nancy
Voiced on Ansell Collins' Stalag 17 riddim; one of the most sampled Jamaican records and a riddim-culture cornerstone
Wayne Smith
Built from a Casio MT-40 preset with King Jammy; one of the first all-digital riddims, it moved dancehall to programmed drums
Shabba Ranks
Bobby Digital production on Steely & Clevie's Poco Man Jam riddim; the boom-ch-boom-chick loop that named dembow
El General
Panamanian reggae en español: Spanish deejaying over dancehall riddims, the bridge that carried the beat to Puerto Rico
Chaka Demus & Pliers
Sly Dunbar on drums for a re-cut of the Bam Bam rhythm; Sly & Robbie's digitized dancehall, re-used for decades
Selena y Los Dinos
Tejano cumbia standard: the loping cumbia pulse carried into US Latin pop
Wayne Wonder
Biggest vocal hit on Lenky Marsden's Diwali riddim, whose handclap-led pattern crossed into US and UK pop
Aventura
Modern bachata with R&B polish; seven weeks at No. 1 in France and the record that took bachata international
Daddy Yankee
Luny Tunes-assisted Barrio Fino single; first reggaeton song in the US Hot 100 Top 40, taking the dembow loop global
D'banj
First Nigerian song to debut on the UK Singles Chart (No. 9); bouncy programmed afropop drums go global
J Balvin feat. Farruko
Medellín breakthrough: a smoother, mid-tempo romantic dembow that set up Colombia's 2010s reggaeton wave
Wizkid
Legendury Beatz production; its Drake and Skepta remix carried the swung afrobeats groove into UK and US rap
Bad Bunny & Jhay Cortez
Tainy and Mora's slow-burning, futuristic reggaeton: thumping kicks under wavy synths, a template for the 2020s
Kabza De Small
Amapiano log-drum bass and shuffling percussion with Wizkid and Burna Boy guesting; South Africa meets Nigeria
Tyla
Amapiano-pop crossover that won the first Grammy for Best African Music Performance; the log-drum groove goes global
Press play to loop each record's busiest two bars. Patterns are machine-detected from the recordings, not verified transcriptions.
LatinCarlos Vives, Shakira
ReggaeBob Marley & The Wailers
DancehallChaka Demus, Pliers
AfrobeatsBurna Boy
DancehallShaggy
ReggaetonDon Omar
DancehallShabba Ranks, Chevelle Franklin
DancehallBeenie Man
ReggaetonWisin & Yandel
AfrobeatsRema
ReggaeToots & The Maytals
ReggaetonDaddy Yankee & Snow
AfrobeatsBurna Boy
DancehallShabba Ranks
AfrobeatsDavido
LatinRomeo Santos
ReggaetonBAD BUNNY x JHAY CORTEZ
AfrobeatsTyla
LatinMarc Anthony
LatinRicky Martin
ReggaeTrojan Records
ReggaeMillie Small
ReggaeAlton Ellis
ReggaeBurning Spear
1393 recordings.